Mania Akbari’s masterclass at Goldsmiths University of London

In this masterclass, Iranian documentary filmmaker, Mania Akbari, will join us to screen her latest her latest film A Moon For My Father (2018) and then hold a Q&A with the audience.
A Moon For My Father by Mania Akbari and Douglas White,UK/Iran/Germany, 2018, 75 min,English and Farsi with English subtitles.
Written and directed by London-based Iranian filmmaker Mania Akbari and her partner, the British sculptor Douglas White, A Moon For My Father (2018) considers the mysterious connections between death and loss, memory, love, family ties, the body, birth and artistic creation. The film takes an epistolary form, drawing on several years of written correspondence between Akbari and White. Deftly interwoven alongside the letters are family photos, archival footage from Iran, imagery from White’s artwork, and scenes of the couple’s everyday life together. As Akbari undergoes surgeries on a body decimated by cancer, remembrance and reconstruction provide a framework for investigating how bodies are traumatised, censored and politicised, and yet ultimately remain a site of possibility.A rare opportunity to see A Moon For My Father, the latest film from Iranian documentary filmmaker Mania Akbari, with a Q&A after the screening In this masterclass, Iranian documentary filmmaker, Mania Akbari, will join us to screen her latest her latest film A Moon For My Father (2018) and then hold a Q&A with the audience. A Moon For My Father. Directors: Mania Akbari and Douglas White UK, Iran, Germany, 2018, 85 min., English and Farsi with English subtitles Written and directed by London-based Iranian filmmaker Mania Akbari and her partner, the British sculptor Douglas White, A Moon For My Father (2018) considers the mysterious connections between death and loss, memory, love, family ties, the body, birth and artistic creation. The film takes an epistolary form, drawing on several years of written correspondence between Akbari and White. Deftly interwoven alongside the letters are family photos, archival footage from Iran, imagery from White’s artwork, and scenes of the couple’s everyday life together. As Akbari undergoes surgeries on a body decimated by cancer, remembrance and reconstruction provide a framework for investigating how bodies are traumatised, censored and politicised, and yet ultimately remain a site of possibility.
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